1892 Grace Cossington Smith
From the mid 1920s her paintings became more colourful, with the paint being applied in many small, separate strokes. Roslyn Russell and Bridget Guthrie (Curators), Australian icons: twenty artists from the collectionGrace Cossington Smith: a retrospective exhibition (2005): Diagonal cables and the suspended arch on the left also direct the eye to this point.
Source: Australian War Memorial, P04.563_001 • • • 1 of 3 images All Biography Works From the Gallery Shop Art Set. The painting depicts the Sydney Harbour Bridge during its construction. Australian modern masterpieces from the Art Gallery of New South Wales:
What is this point called?Cossington Smith became interested in colour theory after reading a book by Beatrice Irwin, called Bernard William Smith and Terry Smith, We acknowledge the traditional custodians of the Country on which the Gallery stands, the Gadigal of the Eora Nation, and recognise their continuing connection to land, waters and culture.Read the latest visit information, including hours Susan McCulloch, Alan McCulloch and Emily McCulloch Childs, O'Keeffe, Preston, Cossington Smith: Making Modernism:Magnet : Grace Cossington Smith The Sock Knitter ‘Eastern Road, Turramurra’ was created in 1926 by Grace Cossington Smith in Cubism style. ‘Grace Cossington Smith was one of many artists who closely observed and recorded the construction of Sydney Harbour Bridge, which was considered one of the world’s great engineering feats’ (NGV touchscreen 2002–2003).
Grace Cossington Smith's 'The sock knitter' has been acclaimed as the first post-impressionist painting to be exhibited in Australia.
Update from the Gallery regarding COVID-19The Art Gallery of New South Wales is open. In the 1920s, when she painted her pellucid watercolour of the Eastern Road, she sought to invest her landscape painting with clarity of light and compositional vitality.
Biography Grace Cossington Smith is one of Australia’s most celebrated 20th century painters. It was the most exciting and daring feat of engineering taking place in Sydney at the time.The horizontal collection of bushes in the foreground creates a firm base for a composition that becomes more dynamic, angular and ethereal as the eye travels to the focal point of the gap between the two arches. Grace Cossington Smith, walking down a Sydney street, c1930-40, by unknown photographer. - It is now considered one of Australia's best modernist paintings, but it was rejected from an exhibition in 1930. From the mid 1920s her paintings became more colourful, with the paint being applied in many small, separate strokes. Description: GRACE COSSINGTON SMITH, (1892 – 1984), SAMUEL MARSDEN AFTER SERVICE AT ST. JOHN\’S PARRAMATTA, 1937 – 38 , oil on pulpboard SIGNED: signed and dated lower right: G. Cossington Smith 35 bears inscription on old label verso: \“Samuel Marsden after / service at St. Johns / Parramatta\” / Grace Cossington Smith / Mc CAUGHEY PRIZE COMPETITION DIMENSIONS: 66.0 x … The extreme flattening of the picture plane and the use of bright, expressive, broken colour applied in broad brush-strokes to delineate form reflects the aesthetic concerns of European painters such as Cézanne, Matisse and van Gogh.
Grace Cossington Smith was above all a painter of landscapes and later, of interiors. 20 Dec 1984 A remarkable student work, the painting signalled a challenge to the artistic traditions of the time.
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