He also enjoyed the discipline of drawing from the live model, which he practised over the decades to keep his eye and hand ‘in trim’. Brack forged the iconography of a decade on canvas as sharply as Barry Humphries did on stage." This small slice of respectable suburban bliss would have been a salve to those who, less than a decade before, had experienced the privations and terrors of war.Artistic influences included George Seurat’s classically structured images of the passing world, and the work of his French contemporary Bernard Buffet. Lot 14: John Brack (1920-1999) La Traviata 1981 lithographLot 11: JOHN BRACK, (1920 1999), NEVER, 1989 90, oil on canvasLot 13: John Brack 1920 - 1999, STUDY FOR 'THE MERTZ NUDE', 1965 conté on paper In a stark setting portrayed in often brown and yellowish colors, the artist “documented” the widely-known scenes of life in Australia, accompanying each painting with a sense of humor and a John Brack was a distinct artist in every sense of the word. All Rights Reserved.Lot 27: JOHN BRACK (1920 - 1999) Offset Lithograph Print "Latin American Grand Final" 51cm x 62.5cm 83cm x 98cm Brack's painting The Bar sold for $3.2 million in April 2006, while in May 2007 his painting The Old Time sold for $3.36 million at auction in Sydney, a record for a painting by an Australian artist. We provide art lovers and art collectors with one of the best places on the planet to discover modern and contemporary art. Our database has art auction market prices for Cecil John (John) Brack, 1920-99, Australia and other Australian and New Zealand artists covering the last 40 years sales.Deutscher and Hackett is a leading Australian art auction house specialising in the sale of Australian fine art, international fine art, Australian indigenous art and artefacts.Collection online showcases more than four million of the Museum's objects. Brack valued the art of the past from European and other cultures, incorporating their lessons into his own work.
This, combined with the model’s closed eyes and pose turned away from the viewer, emphasises her alienation and isolation from the world around her.This painting brings us into claustrophobic proximity with a woman in a public telephone box. In the early 1950s Australians witnessed media reports of atrocities committed during the recent world war, including images of victims of the Holocaust. Filter by auction house, media and more.Discover the value of your art.
AUD550,000 - AUD750,000 Lot 26: JOHN BRACK, (1920 1999), NUDE WITH PURPLE RUG, 1985 , watercolour, pastel and crayon on paperLot 23: § JOHN BRACK 1920-1999 Study for Standing Nude 1970 conté on paper 68.5 x 49.5 cmLot 27: JOHN BRACK, (1920 1999), MOUNTING, 1956, etching and drypointLot 28: JOHN BRACK, (1920 1999), THE DRAWING TABLE, 1970, conté on paperLot 25: JOHN BRACK (1920-1999) Nude on High Backed Chair 1973Lot 10: JOHN BRACK, (1920 - 1999), STUDY FOR THE RED CARPET, 1970, conté on paperLot 15: JOHN BRACK (1920-1999) Arabesque 1977 lithograph edition 15/25Lot 19: JOHN BRACK 1920-1999 La Traviata 1981 lithograph on paper 66 x 49 cm (image); 76 x 57 cm (sheet)Lot 21: John Brack, 'Nude in Profile' 1978, lithograph, 65 x 7cm, numbered, titled, signed and dated below image. Brack was interested in the cycle of life and found transitional stages such as adolescence enigmatic and unknowable to him, an adult.John Brack (1920–99) was one of the most significant Australian realists of the post-war period.
His character is not fully dressed; the spiky clips tethering her hair would normally not be seen outside the home.
My Invaluable In this series of nudes, Brack’s intention was to subvert popular expectations of the genre by de-eroticising his subject. Artists Messages John Brack (1920-1999) was an Australian painter, and a member of the Antipodeans group. Please enter a valid email address ([email protected]) Persian carpets were often included to symbolise human civilisation and cultural traditions.Brack first made paintings of children in the late 1950s, when his four daughters were young, and returned to the subject in the early 1970s with a series of images of adolescents engaged in gymnastics. From beginning to end, he remained a painter of the human condition. Brack’s vision of post-war Melbourne was not satirical, as some thought.
Painting with very fine brushes and aids such as stencils, he presented his models in elaborately staged, theatrical arrangements. AUD120,000 - AUD160,000 Giving an insight to the modern life in Australia during the second part of the 20th century, his paintings are more than just visual representations of the era - they’re personal, often humorously depicted comments on the situation that echoed throughout the world, making Brack an iconic Australian artist.We aim at providing better value for money than most.In order for any person’s name to become a part of history in any given field, they need to push the boundaries that have been set beforehand and do things differently than they have been done thus far. AUD400,000 - AUD600,000 Description: JOHN BRACK 1920-1999 Pantomime 1988-1994 oil on canvas signed and dated 'John Brack 1988/94' lower right 91 x 137 cm PROVENANCE Mr John Brack, Melbourne The Estate of John Brack, Melbourne Australian & International Fine Art, Deutscher-Menzies, Melbourne, 2 September 2003, lot 48, illustrated Mr John Symond AM, Sydney, acquired from the above EXHIBITED John Brack: Recent … The portrait is not just the subject but what he means in the past, the present and the future – John Brack, 1965 Brack preferred to paint portraits of people he knew, so he might faithfully render their character and personality, as well as appearance.
When Laughing Childwas presented for auction in 2020, the artist's daughter (and subject of the painti… He lectured and wrote widely on modern art, and taught for a number of years in Melbourne, before retiring in 1968 to concentrate on his practice. AUD600,000 - AUD800,000
AUD700,000 - AUD800,000
With a great interest in individual human nature as well as the social surrounding as a whole, John Brack portrayed firsthand the world that he was a part of, with a lot of hidden sentimentality in his pieces.
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