The painting was acquired by the Museo del Prado in Madrid in 1910, and remains there to this day. It is quite large, measuring 38 by 75 inches. Aggiornato 24 Febbraio 2018 Voglio parlarti di due quadri che hanno cambiato il destino di Francisco Goya, consacrandolo come uno dei più grandi artisti spagnoli di tutti i … (el); pintura de Francisco José de Goya y Lucientes (oc) La maja vestida, Giyinik Maja (tr); La maja vestida, Marikit na May-damit, Ang Mahang Nakadamit, Ang Mahang May-damit, The Clothed Maja, Ang Marikit na Nakadamit (tl); La Maja vestida, Maja Vestida (fr); La maja vestida (en); Maja vestida (es); Maja oblečená, Oblečená maja, La maja vestida (cs); 着衣的马哈, 著衣的瑪哈 (zh)From Wikimedia Commons, the free media repositoryhttps://commons.wikimedia.org/w/index.php?title=Category:La_Maja_vestida&oldid=422006354painting by Francisco de Goya, clothed version of "La maja desnuda".Portrait paintings of females with cloth beltsLa maja vestida, de Francisco de Goya, fotografiada al sol, por Juan Laurent hacia el año 1868 (circa 1868), VN-01098 P.jpgCreative Commons Attribution-ShareAlike LicenseMaría Cayetana de Silva, 13th Duchess of AlbaJosefa de Tudó, 1st Countess of Castillo FielThe following 14 files are in this category, out of 14 total.
The Nude Maja (Spanish: La Maja Desnuda) is a name given to a c. 1797–1800 oil on canvas painting by the Spanish artist Francisco Goya.It portrays a nude woman reclining on a bed of pillows, and was probably commissioned by Manuel de Godoy, to hang in his private collection in a separate cabinet reserved for nude paintings. In the late 1790s, commissioned by Godoy, he completed his La maja desnuda, a remarkably daring nude for the time and clearly indebted to Diego Velázquez. Exhibited also at the Kyoto Municipal Museum of Art, January 29th to March 15th 1972.The woman's posture reveals certain similarities with another female portrait by Goya, that of Joaquina Téllez-Girón y Alfonso Pimentel, Marchioness of Santa Cruz consultant editors José Manuel Matilla and Manuela B. Marqués. It is a clothed version of the earlier La maja desnuda (1797–1800) and is exhibited next to it in the same room at the Prado Museum in Madrid. Madrid, Madrid, SpainHere we see the figure of the maja reclining on a green divan which is partially covered by a white bedspread and pillows. La Venere nell’arte: da dormiente a seduttrice, da Giorgione a Tiziano Due occhi neri e profondi attraversano lo sguardo dello spettatore, portandolo nella corte spagnola dell’inizio XIX secolo. Both paintings are first recorded in an inventory of unpopular and unsuccessful art by Prime Minister Manuel de Godoy, Duke of Creative Commons Attribution-ShareAlike LicenseHe was brought on a separate charge of collaborating with the French, that is of treason. La donna, giovane e bella, con la pelle di porcellana assume una posa particolare, anzi particolarissima per l’epoca. Goya painted The Clothed Maja, also referred to as La maja vestida between 1800 and 1805. It portrays a nude woman reclining on a bed of pillows, and was probably commissioned by Manuel de Godoy, to hang in his private collection in a separate cabinet reserved for nude paintings. #1B1W / “Figli di El Alamein”: sulla condanna del tempo vince… Tutte le immagini sono prese da internet.Probabilmente Goya compose dapprima la desnuda e poi, su una variante di questa, eseguì l’abito. From March 16th to June 24th 2012Ministerio de Instrucción Pública and Bellas Artesconsultant editor Federico Torralba Soriano. Following the Aranjuez uprising of 1808 and the abdication of King Charles IV that same year, the work was seized, along with other items, by order of Ferdinand VII. Ho trovato in ArtSpecialDay il luogo perfetto in cui poterle alimentare quotidianamente! Goya created a pendant of the same woman identically posed, but clothed, known today as La maja vestida (The Clothed Maja); also in the Prado, it is usually hung next to La maja desnuda. consultant editors Colta Ives and Susan Alyson Stein. Biografía, estudio analítico y catálogo de sus pinturas, 4 vols.consultant editors Fernando Álvarez de Sotomayor y Pedro Muguruza Otaño.
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