Each lamp can be controlled individually or in groups, and can be continuously adjusted with a professional management system Luxmate light.Zumthor has transformed the technical and rational solutions in sensual and poetic situations. This is a steel structure supporting both external glass panels and interiors. The walls are concrete, trained with non-structural panels, to which, once dry, the frames were removed and cleaned gently with soap, were not polished. It absorbs the changing light of the sky or the foggy lake, it reflects light and color and gives an indication of its inner life according to the viewing angle, the light of day and time… ” Peter ZumthorPeter Zumthor’s design stood out among others because it was the only design that proposed a square as an open urban space. Behind them is the main stairs, emergency exits, elevators and visitor load.
The internal circulation of both pro jects is a series of continuous ramps that, as in New York's Guggenheim Museum, provide a seamless continuum of program and public space. In the circulation spaces, stairs and walkways, lighting is lateral, diffuse, obtained through the glass panels of the facade printsBeyond the entrance, we have a multipurpose room that is used as an entrance hall with wardrobe, table cashier location and various events. Four Autonomous Projects.
The Art Museum Bregenz, is in a state of constant flux, changing its exhibition spaces to accommodate international contemporary art. The Kunsthal could thus be considered the first project to translate Koolhaas’s hyperactive functionalism and irreverent regard for form into architecture. The best results were obtained by using etched glass shingles that refract the light before entering the building and always transmitted horizontally.“… The building is made of steel, glass and a molded mass of stone cast concrete that gives the interior of the building with texture and spatial composition. Brackets made to measure, designed to accommodate the visual overlay of glass tiles and frameless present a facade around the building, create a cube effect light that comes alive at dusk and acts like a beacon in the night face the lake.Within the urban context, the Kunsthaus Bregenz was conceived as a solitary building in a prominent location near the lake shore.
This extremely simple façade is interesting for its transparency which allows visible from outside the concrete structure. These slabs-wall structure inside and divide the vertical development of the building.
The museum has 3,440 m2 of usable space, 26.57 x 26.57 x 30 m, the smallest building 540 m2, 8.35 x 21.57 x 11m.Initially planned to direct daylight to enter the building through obliquely placed slats on the facade, but the tests made in different models this solution was not satisfactory. Squat and square, the structure is divided into two volumes. Zumthor’s minimalist design adapts spaces for art on display in its exhibits creating a coexisting and redefining relationship between art and architecture.The project consists of two buildings, one housing the exhibition galleries with 6 floors, two underground and one of two floors, where the administrative activities, a cafe, bookstore and museum shop is located. The exhibition building and the administration building framing an open square, which is closed to the south by the back wall of the exhibition hall, opens yet another side to the city. Although the light has been refracted three times, glass facade, insulating windows and roofs illuminated, illuminates the halls differently depending on the time of day or year.
This smaller building is made of black concrete and dark glass.The top three floors of exhibition differ only in terms of ceiling height.
Program Separation. When we talk about sport, we talk about power. lation route, enabled by the use of large ramps, connects the public areas of the Kunsthal. From the outside, the building looks like a lamp. Between the outer façade and interior is a gap of 90cm, a light well that allowing this vision, depending on the light opens.
This square connects the Kunsthaus with the life of the city of Bregenz and is used in many ways. 4.
Labor terrazzo is remarkable in such a large area, as no expansion joints are required. The way the light shines against glass gives you a visual velvety texture. Exterior/Public Circulation. After more than 20 years of intense use, OMA, the city of Rotterdam and the Kunsthal have completed their comprehensive plan to upgrade the performance of the building in terms of energy, security, program and circulation. The building hosts 3000 square me- ters of exhibition space, an auditorium, a book shop, and a restaurant. The administration building, located in front of the museum to the city center, acts as a transition structure in the face of smaller, low buildings in the old part of town.
This gap is equipped with cleaning lifts used for the maintenance and upkeep of the building. The course begins with the changing rooms followed by the showers. Located on the southeast side of the building exhibition, this square without vegetation opens onto a street of the old town of Bregenz, on the opposite coast is something.
The camera creates atmospheric conditions within the gallery spaces that have a conditional relationship with the exterior, and vice versa. The Kunsthal in Rotterdam, designed by OMA in 1992, reopens this month after an extensive renovation. The open floor plan allows for flexibility of space at the time to organize art exhibitions in galleries.The building is located in Bregenz, in Karl- Tizian -Platz,on Lake Constance, the capital of Vorarlberg, the most western federal state of The floors are terrazzo, polished concrete cast that is stained dark gray on the first basement level and ground floor, while on the stairs and showrooms are light gray. Also accommodates the night light installation of the museum.The administration, cafeteria, library and museum shop were located in a separate structure built in front of the museum. This has been achieved by inserting vents in exterior walls to absorb the tension on the ground.The climate control system of the building can be neither seen nor heard, as it has been designed as a structural unit cooling or heating.
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