…. Nora Heysen was the first woman to be awarded the Archibald, the most lucrative of all Australian art prizes, judged by a conservative arts establishment consisting entirely of men.Australian Women Artists: One Hundred YearsWhile some previous Archibald winners are familiar to students of Australian art history, it is fair to say thatThe story began, “Miss Nora Heysen, daughter of the famous Adelaide landscape painter, Hans Heysen,..” The writer was more interested in stating the importance of Hans Heysen as “the incomparable painter of the Australian gum-tree” than in the artist who won the prize.Cossington Smith, despite regularly exhibiting her work, was most commonly seen as a “lady amateur”. Following her discharge from war service she went to London, returning to Sydney in 1948. She continued to hold occasional exhibitions, including a joint exhibition with her father in 1963.
She described herself as “a general provider for animals and all the strays”, which came to her garden. 88.0 x 78.0 cm (framed)Art Gallery of New South Wales, Sydney Gift of Howard Hinton 1932 © Lou KlepacStill, after her win, most newspapers and magazines were more interested in Nora Heysen’s cooking, leisure and domestic activities than her art. Tom Hubble - Mrs Francis V. Molyneaux. Nora Heysen AM (11 January 1911 – 30 December 2003) was an Australian artist, the first woman to win the prestigious Archibald Prize in 1938 for portraiture and the first Australian woman appointed as an official war artist. She died in 2003 at the age of 92, still living in the house at Hunters Hill, embedded in its garden.
Heysen had also submitted a more conventional portrait of a barrister, but the Trustees had been entranced by the beautiful Eurasian woman with a Chinese cloak. In October 1962, the same year that her mother died, John Hetherington wrote an extended article on Nora Heysen, defining her as the daughter of a famous father.
From 1926 to 1930 she studied at the School of Fine Arts in Adelaide under F Millward Grey. Meldrum criticized Nora Heysen's 1938 Archibald win, saying that women could not be expected to paint as well as men. Heysen said, “I think at times she was bitter about it, that she’d given it all away.”In 1943, with MacGregor’s support, she became the first woman to be appointed an officialWhen she was in London, painting in an environment that defined her by her work rather than her family, she had begun to sign her name differently. Despite their close and loving relationship, Hans Heysen never could understand his daughter’s need for a separate identity.In 1993, Nora Heysen was honoured by an Australia Council Award for Achievement in the Arts; an Order of Australia came in 1998. Despite their close and loving relationship, Hans Heysen never could understand his daughter’s need for a separate identity.Those women artists, such as Margaret Preston and Thea Proctor who did have a public presence, were recognised more for their “decorative” graphic art than for the “serious” business of portraits or landscapes.Girl Makes History, Girl artist takes Archibald PrizeIt was not surprising that it had taken the Trustees only an hour to find the winner. Fifty Australians: Nora HeysonArticles incorporating text from WikipediaHer first solo exhibition was held in Sydney in 1933. She later described her work of that period as “uneven”. NORA HEYSEN . The heavily gendered nature of the Australian armed forces meant that she had little contact with other War artists, who were more closely embedded with the soldiers.Nora Heysen, Portrait study 1933 oil on canvas, 67.2 x 56.4 cm.
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