34 Spring 1989, Australia,Anne Marie Willi, ‘Picturing Australia.
cat., Museum of Modern Art Torino, Torino, Italy,Lynne Cooke, ‘Jurassic Technologies Revenant,’ exh.
A blazing void. 26, April/May, 2000, Santander, Spain,Ana Martinez-Collado, ‘Tracey Moffatt,’ www.arts.zin, 2000, Spain,Eugenio Castro, ‘Por las riberas del sueño,’ La Razon, June2000, Madrid, Spain,Mette Sandbye, ‘Down Under,’ Weekenddavisen, 11-17 February 2000, Denmark,Tom Jorgensen, ‘Flot udstilling af den australske Tracey Moffatt,’ Ekstra Bladet, 2 February, 2000, Denmark,Camilla A. Stockmann, ‘Laudanum,’ Nat & Dag, 5 February 2000, Denmark,Malene La Cour Rasmussen, ‘Dramatiske drome,’ Jyllands-Posten/Morgen visen, 10 March 2000, Denmark,Sarah Kent, ‘Mommy Dearest,’ Time Out, 11-17 July 2000, London UK,Bruce James, ‘Breaking The Spell,’ The Sydney Morning Herald spectrum, August 5 2000, Sydney Australia,Jan Mckemish, ‘When Crimes an Art,’ The Courier Mail, August 12 2000, Brisbane, Australia,Michele Hewitson, ‘Weird scenes and outback stories,’ New Zealand Herald, January 31 2000, Auckland, New Zealand,T.J. The narrative is often implied and self-referential, exploring her own childhood memories, and the broader issues of race, gender, sexuality and identity.
11, Germany,Jane Burton, ‘Tracey Moffatt,’ ARTnews, October 1999, New York, USA,Michael Snelling, ‘Tracey Moffatt,’ Institute of Modern Art, 1999, Brisbane, Australia,Christian Kravagna, ‘Die Moderne im Rückspiegel,’ Springerin, June 8, 1999, Wien, Austria,Automaten: Phantasmen der Moderne, exh.
The series of photographs examines the subject of race and violence, presenting a loose narrative set against the backdrop of an outback town populated by misfits and marginal characters. 1, USA,B.
There is the slain body of a bull, hanging limp over a tree branch. 36, June 2000, Madrid, Spain,Juan Botella, ‘Tracey Moffatt: Invocaciones,’ Anticuaria, No. cat., Aarhus Kunstmuseum, Aarhus, Denmark,Veczoennections, Contemporary Artist from Australia, exhibition catalogue, curated by Branca Stipancic, House of Croatian Artists, Zagreb, Croatia,True Fiction, Inzinierte Foto-Kunst der 1990 er Jahre, exh. 41, February 2000, Sydney, Australia,‘Arts Cool,’ W Magazine, January 2000, New York, USA,Judith Benhamou-Huet, ‘Lactualite des galeries Parisiennes de Francis Bacon, Shirin Neshat, Tracey Moffatt, nouvelle referance,’ Les Echos, 7 January 2000, Paris, France,En bref: Tracey Moffatt, Faisons rêve, Le Figaro, 4 January 2000, Paris, France,Yan C., ‘Histoires de Femmes, Tracey Moffatt, La Reveuse,’ Jalouse, January, Paris, France,Philippe Regnier, ‘Chocolat amrer, marmelade et contes de fees,’ January 2000, Paris, France,‘Familien-album,’ Album Magazin Frankfurter Rundschau, September 9 2000, Frankfurt, Germany,Lara Travis, ‘Mirage: Drysdale and Moffatt in the Australian outback,’ Art & Australia, vol. Exhibition Dates: 5 February – 28 February 1998,Chennai Photo Biennale, Tamil Nadu, India,Hung Out to Dry: Space, memory and domestic laundry practice, University of Queensland Art Museum, Brisbane,Derby (touring to Photofusion, London, Perth Institute of Contemporary Art, Australia, Griffith,University Gallery, Brisbane, Australian Centre for Photography, Sydney),Academy of Fine Arts, Singapore, Ssamzie Space, Seoul, Korea,‘Judy Chicago Film Series,’ in Judy Chicago: The Dinner Party, Brooklyn Museum of Art (Up in the Sky), USA,Shine, Museum Boijamans Van Beuningen, Rotterdam, Holland,Australia Council Visual Arts Laureate Award, Sydney,Infinity Award for Excellence in Art Photography, International Centre for Photography, New York,Honorary Doctorate from Griffith University, Brisbane,Award Campo 6, Gallerie Civica d'Arte Moderna e Contemporaranea, Turin, Italy,Creative Fellowship Award, Prime Minister Paul Keating, Australia,State Film and Video Library, Adelaide, Australia,University of Technology, Sydney, Australia,West Australian Film Centre, Perth, Australia,Institute of Aboriginal Studies, ANU Canberra, Australia,Castello di Rivoli Museo d'Arte Contemporanea, Torino, Italy,Air New Zealand Collection, Melbourne, Australia,Albury Regional Art Gallery, Albury, Australia,Art Gallery of New South Wales, Sydney, Australia,Art Gallery of South Australia, Adelaide, Australia,Art Gallery of Western Australia, Perth, Australia,Australian National Gallery, Canberra, Australia,Bard College, Annandale on Hudson, New York, USA,Bayerische Staatsgemäldesammlungen, Munich, Germany,Australia Brooklyn Museum of Art, New York, USA,Centre Galego de Arte Contemporanea, S. de Compostela, Spain,Centre national des arts plastiques, France,Collection Mr. and Mrs. Felten, Munich, Germany,Houston Museum of Fine Arts, Houston, USA,Louisiana Museum of Contemporary Art, Humlebæk, Denmark,Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria,Museum of Contemporary Art, Los Angeles, USA,Museum of Contemporary Art, Sydney, Australia,Museum of Contemporary Photography, Tokyo, Japan,National Gallery of Victoria, Melbourne, Australia,National Portrait Gallery, Canberra, Australia,Newcastle Regional Art Gallery, Australia,Parliament House Collection, Canberra, Australia,Queensland Art Gallery | Gallery of Modern Art, Brisbane, Australia,Steve Vizard Foundation, Melbourne, Australia,Tasmanian State Institute of Technology, Hobart, Australia,The National Museum of Photography, Copenhagen, Denmark,Trinity College Art Collection, Melbourne, Australia,University Art Museum, University of Queensland, Brisbane, Australia,University of Wollongong, Wollongong, Australia,Waverly City Gallery, Mt.
Working predominantly in photography and film for over three decades, Moffatt is known as a powerful visual storyteller. Eric Bookhardt, ‘The New New Thing,’ Gambit Weekly, August 8, 2000, New Orleans, Louisiana,Elena Vozmeino, ‘Tracey Moffatt, Los Sueños,’ El Cultural, El Mondo, May, 2000, Madrid, Spain,‘Moffatt presenta una serie sobre ‘miedos y sueños’ a través de fotserigrafias,’ El País, 10 May, 2000, Madrid, Spain,Juan Vincente Aliaga, ‘A Sangre Y Fuego: Imatges de la Violéncia a lart contemporani,’ (essay), A Sangre Y Fuego, Spain,Michael Guerrin, ‘Les photos fabriquées de lénigmatique Tracey Moffatt,’ Le Monde, January 7, 2000, Paris, France,Susie Linfield, ‘Eclectic Eye,’ Artnews, February, 2000, New York, USA,Bridgit Somma, ‘Arbeiten im Schnittfeld von Mode, Design und Feminismus,’ (active on the interface between feminism, fashion and design), Lufthansa Magazine No. 292, January 2000, London, UK,Holland Cotter, ‘Art in Review: Tracey Moffatt,’ The New York Times, 31 March, 2000 New York, USA,Australias 50 Most Collectible Artists, Australian Art Collector, no. Tracey Moffatt Born 1960, Brisbane, Queensland Up in the Sky 1997.
cat., 237 The Subruban Unconscious, Spain,kunstforum Baloise, exh.
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