Julie Rrap

For many years Julie Rrap has utilised photography as a deconstructive tool, a means to manipulate and challenge dominant narratives. The author of this magnificent piece is none other than the Australian Indigenous artist Recently Widewalls spoke to 19 Karen's Terri Law I’ll be 70 next year…”https://artcollector.net.au/wp-content/uploads/2020/05/MC-2.jpgAt the time art critic George Alexander wrote in Artlink magazine: “it looks like a miracle and feels like a mistake”. Julie Rrap. She is always pushing her practice to new horizons and is never scared of experimenting with new media and new ideas.”Michael Cook: Keeping up with the JonesesRrap’s practice encompasses photography, video, sculpture and installation. “Someone who is aware of the importance of history in the canon of art and the relevance a significant artist plays within that history. “I think we can facilitate meaningful exchanges through the mechanism of humour,” she says. “You could walk up to the lectern, and get this moment where you could speak out, and what do you do? The exhibition considers the human figure as one of the most enduring subjects of art. When we meet in her studio, she is still in the process of deciding how to “animate” these works through accompanying videos, photo- graphs or performances. She doesn’t start with a pressing issue. “And it comes out of making.” As she explains, you just can’t force an idea. And an element of performativity – along with a critical sense of humour and a strong belief in the feminist tenet that the personal is political – continues to run through her disparate bodies of work.Rrap’s process of starting with a visual image and ending in a political statement can be seen in her recent bronze sculpture, Speechless. Modern & Contemporary Art Resource Julie Rrap was born in 1950 and was primarily inspired creatively by the 1970s. “It doesn’t have to be laugh-out-loud funny, but some sort of irony, something playful. And I wait for them.”But, as she prepares for a solo show of new work, Twisted Logic, at ARC ONE Gallery in Melbourne, it’s clear that Rrap isn’t yet decelerating, let alone grinding to a halt. Since the mid-1970s, she has worked with photography, painting, sculpture, performance and video in an ongoing project concerned with representations of the body. And that’s the world I got introduced to as an artist.” Mike, of course, is her older brother, the seminal performance artist Mike Parr. She has been thinking about the fact that bronze sculptures used to be melted down to make armaments. Julie Rrap's work has also been exhibited during the Twisted Logic exhibition at ARC ONE Gallery in Melbourne, Australia (02 September 2019 - 04 October 2019). As Clark points out: “Prices for her work never decrease.”Employing anything from rusty lids and souvenir spoons to taxidermy birds and vintage fabrics, Karla Dickens unearths underlying narratives of both the tender and the traumatic. She also wrote the accompanying monograph and continues to follow Rrap’s practice with interest. Julie Rrap She also wrote the accompanying monograph and continues to follow Rrap’s practice with interest. Available for sale from Roslyn Oxley9 Gallery, Julie Rrap, Artists Dreaming (2015), Multi-channel HD video (30 moving images) Deep thinkers with a good sense of humour and love for how artforms shape concepts and can playfully shift the automatic way we process those ideas.” You know, you think an artist was going really well, but then their work starts to get a bit crap… At some point maybe they should have stopped.” Rrap is still smiling, but there is a serious edge to this conversation. “He was really mischievous,” she says, “and we used to play this game: ‘When should the artist have died?’” And then she laughs, a big burst of genuine merriment that is infectious. Since the mid-1970s, she has worked with photography, painting, sculpture, performance and video in an ongoing project concerned with representations of the body. boom of interest towards off-centers of the art world,Find available artworks by Ben Frost on Widewalls marketplace!Inspired by the digital culture and the immense influence that the internet era is having on us, artist Julie Rrap: Body Imaging Julie Rrap’s work deals conceptually with the image of the body, her own body, not as object of, or subject to, the male gaze, but rather as abject, as something projected forth. According to Clark, “It is rare to see Julie’s work come up in the secondary market”. But she says, “if push came to shove, my favourite is probably making sculpture”. Miami, United States of America Julie Rrap has been a major figure in Australian contemporary art for over three decades. And I often have those moments. When we both recover, she continues, “It was really fun. This sculptural response to Max Dupain’s famous 1937 photograph, Sunbaker, was made for the 2017 group show Under the Sun. Julie Rrap For almost fifty years, Julie Rrap has been involved in performance art and the experiments with the body and its representation. VICTORIA LYNN Director, TarraWarra Museum of Art, Healesville. This critically acclaimed debut was collected by the Museum of Contemporary Art a decade later.In her upcoming solo Twisted Logic, Rrap hopes to bring a similarly light touch to “that quite slippery relationship between art, culture, and any particular political regime or system that happens to be in power”. JULIE RRAP’S Puberty from the series Persona and Shadow is included in Bodies of art: Human form from the national collection at The National Gallery of Australia..

But, she says, “I probably started off through performance.

Underneath this amusing anecdote lies the harsh realities of the art world and the spectre of mortality – an always present fact of life that looms larger in the imagination the older we get. In the mid-1970s she studied drawing and painting at what is now the National Art School in Sydney and was an external student at the University of Sydney’s Tin Sheds workshop.

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