This wearable artwork is closely related to Beynon’s previous An Li and Anatomical, botanical series, in which the artist expands on the concept of kindred spirits … Fierce, protective and always benevolent, they symbolise strength and good luck.
7 July 2020.
Feminist Fan #14 (Frida Kahlo Self Portrait Dedicated to Dr. Eloesser: 1940) Kate Just Feminist Fan # 17 (Kate Beynon, Self Portrait with Guardian Spirits, 2010) Self-portrait with guardian spirits. Adam Chang Two eyes - closing to open (Simeon Kronenberg) Kordelya Zhansui Chi Mr … ‘It’s about being aware while aspiring to stay calm and centred; balancing artistic and family life.’Blending traditional and contemporary imagery, Beynon’s work has long been influenced by the Chinese paintings of her late maternal grandfather, animation, film, textiles, fashion, and comic book-style graphics. Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. Kate Just, Feminist Fan #6 (Femen at the Barbie Dream House, Berlin, 2013), 2015Kate Just, Feminist Fan #4 (Lynda Benglis Art Forum Ad, 1974), 2015Kate Just, Feminist Fan #38 (Shirin Neshat, Untitled, 1995) 2017Kate Just, Feminist Fan #36 (Robert Mapplethorpe's photographic portrait of Louise Bourgeois 1982, printed, 1991), 2017Kate Just, Feminist Fan #16 (Guerrilla Girls in New York City by George Lang, 1995), 2015Kate Just, Feminist Fan #30 (Louise Bourgeois wearing her sculptural work Avenza (1968 – 69) outside her New York apartment, 1975), 2016Kate Just, Feminist Fan #28 (Eva Hesse photographed by Hermann Landshoff), 2016Kate Just, Feminist Fan #12 (Tracey Moffatt, Self-Portrait, 1999) 2015Installation view of Kate Just, Feminist Fan (selection), The Public Body .02, Artspace, Sydney, 2017Kate Just, Feminist Fan #32 (Annie Sprinkle and Beth Stephens: The Ecosexuals), 2017Kate Just, Feminist Fan #7 (Chinese Feminist Five’s 2012 Protest against domestic violence in Beijing), 2015Kate Just, Feminist Fan #3 (Pussy Riot at Moscow’s Cathedral of Christ the Savior, 2012), 2015Kate Just, Feminist Fan #5, (Carolee Schneemann, Interior Scroll, 1975), Version 1, 20151. Robe for the Blue Shaman Guardian, 2020 is a new sculptural textile work by Kate Beynon that features in her current exhibition at Geelong Gallery, ‘Collection leads: Kate Beynon — kindred spirits’. She lives in Melbourne with her husband, 11-year old son and dog.Accompanied by a large golden dragon and twin green lion-dogs, Beynon says: ‘Dragons represent a positive force in both Chinese and Welsh cultures. Kate Just, Feminist Fan #17 (Kate Beynon, Self Portrait with Guardian Spirits, 2010), 2016 View the Feminist Fan catalogue Kate Just, Feminist Fan#1 (PUSSY: Casey at the Melbourne Pussy Riot Protest, 2012), 2015Kate Just, Feminist Fan #9 (Sarah Lucas, Self Portrait with Fried Eggs, 1996), Version 2, 2015 Kate Just, Feminist Fan #20 (Nan Goldin, Nan, one month after being battered, 1984), 2016 Painting the dragon’s 10,000-plus scales reflects my occasionally obsessive nature and love of attention to detail. Leaving Hong Kong as a young child, she lived in Singapore, Germany … Leaving Hong Kong as a young child, she lived in Singapore, Germany and the UK before arriving here in 1974.Here, she depicts herself sitting cross-legged in a half lotus position: ‘an anti-anxiety pose, which aims to deal with life’s stresses,’ she says. Location Reception Further information.
We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.
Robe for the Blue Shaman Guardian, 2020 is a new sculptural textile work by Kate Beynon that features in her current exhibition at Geelong Gallery, ‘Collection leads: Kate Beynon — kindred spirits’. Self Portrait With Guardian Spirits (2010) Kate Beynon Beynon has used a combination of contrasting colours, pattern and rhythm to depict her trans-cultural lifestyle, as … Kate Beynon’s self-portrait is a contemplation of the journey she has taken from her birthplace in Kowloon – also known as the City of Nine Dragons – to her life in Australia. Born in Hong Kong, she describes her heritage as
Kate Just, Feminist Fan #2 (Femen at the Hague, 2012), 2015Kate Just, Feminist Fan #15 (Claude Cahun, Self Portrait, 1927), 2015Kate Just, Feminist Fan #33 (Tracey Rose, Lucie's Fur, Version 1.1.1, 2003), 2017Kate Just, Feminist Fan #35 (Genesis Breyer P-Orridge and Lady Jaye Breyer P-Orridge, film still from The Bight of the Twin dir. The lion-dogs, or ‘fu dogs’, appear as chunky canines, their fangs displayed in flashy grins. This wearable artwork is closely related to Beynon’s previous An Li and Anatomical, botanical series, in which the artist expands on the concept […]
Echoing Just’s use of knitting as an art medium, many of the selected works highlight the potential of textiles, clothing or adornment to expand representations of gender, sexuality and identity.
She has also been involved in over 80 group exhibitions including the Archibald Prize in which she was a finalist in 2006. Medium acrylic on linen Read label text. The lion-dogs, or ‘fu dogs’, appear as chunky canines, their fangs displayed in flashy grins.
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