Max Dupain is one of Australia's most revered photographers. Max Dupain and Frank Hinder are among the many significant artists who contributed decisively to Australia’s modernist tradition. Dupain’s best portraits of these decades combine a dramatic boldness in composition and lighting, with telling inclusions of foreground or background elements as in the portrait of artist Hal Missingham (also Director of the Art Gallery of New South Wales and a fellow photographer), his hand raised in the air eloquently but inexplicably; or in the view of Robert Emerson Curtis drawing a profile of Clem Seale in 1945. Less well known, however, is … Max Dupain is synonymous with the ascendancy and acceptance of modern photography in Australia. {{cite web |url=https://ma.as/416674 |title='Linhof Technika' camera and accessories used by Max Dupain |author=Museum of Applied Arts & Sciences |access-date=18 September 2020 |publisher=Museum of Applied Arts & Sciences, Australia}}'Linhof Technika' camera used by Max DupainLinhof Technika camera with attached Schneider 127mm lens (Serial Number 2360420) and black plastic metal lens hood with ultravoilet lens filter inserted. Dupain’s portrait of the famed fashion photographer George Hoyningen Huene in Dupain’s studio in 1937, with tie undone and crumpled shirt, has its own, perhaps unintended, seductive aura. He included some dozen or so portraits in his selection for his 1948 monograph, out of fifty plates showing ‘my best work since 1935’. ��Xj�֍)�V%lE�XQb3���2�����*�X��EL%f��� Friends since childhood and passionate about photography, Olive Cotton and Max Dupain tied the knot in 1939. Dupain used this camera for many years, mainly for architectural photography. ��w����U��o�B-P�Ù:��vJ��Ez�w��:��G�\S�yz�V��y�ǫ*�@�#��"�;z�n���j�
Despite acknowledging he was a bit of a loner by temperament, portraiture was a significant part of Max Dupain’s personal and professional work. The image recalls Dupain’s earliest documentary images in Sydney of homeless men, victims of the Depression, living in the Domain and parks in Sydney well into the late 1930s and early 1940s. 0000007202 00000 n He photographed me in 1982 and chose a moment ’between takes‘ when I was idly twisting my ponytail, to render me as glam as Greta Garbo. 0000001872 00000 n The accessories were made by various makers including Kodak Pty Ltd, Sangamo Weston Ltd and Dallan.Camera, 'Linhof Technika', metal / plastic / glass, made by Linhof, Germany, c. 1959, used by Max Dupain, Sydney, New South Wales, Australia, 1959-1980sSportsfinder for 'Linhof Technika' cameraThe Museum of Applied Arts and Sciences acknowledges Australia’s First Nations Peoples as the Traditional Owners and Custodians of the land and gives respect to the Elders – past and present – and through them to all Aboriginal and Torres Strait Islander peoples. Olive Cotton and Max Dupain were childhood friends and, although she graduated in English and mathematics from the University of Sydney in 1934, her interest in photography led her to work in Dupain’s studio from this year. The camera was acquired from the Max Dupain studio when Dupain downsized and moved his studio into the L&P Photographics Building at 96 Reserve Road, Artarmon. When Dupain left to start his own studio in 1934 in a room at 24 Bond Street, he had little experience with commissioned portraiture. Ure Smith was the doyen of art and lifestyle publishing. 0000001409 00000 n H�lWM��'���E�։ee���d1=Q��_�3`��L���z��0��k�H���8��C�
Few of Dupain’s later portraits truly rival those made before the late 1960s, when he began to specialise in what he called his ‘long suit’ – a love affair with modern architecture. 0000001909 00000 n In 1924 his uncle Clarence Farnsworth, an amateur photographer, gave him his first camera. Max Dupain is one of Australia’s most recognised commercial photographers. Look for interesting features that make this space unique. Philosophically, Dupain mixed rationalism with a less defined alliance with the passionate exhortation to live directly in one’s environment, body and heart. Although he is more widely recognised for his beach scenes and documentary photography, Dupain’s portraits also reflect his bold, stylish approach.We have lots planned for while we are all social distancing, so sign up to keep up to date. 0000014783 00000 n In October 1935 in
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